101 Amazing Thrills takes you on a fast-paced, heart-pounding journey through some of the most exhilarating activities the world has to offer.

101 Amazing Thrills - Netflix

Type: Reality

Languages: English

Status: To Be Determined

Runtime: 30 minutes

Premier: 2015-05-24

101 Amazing Thrills - Wonder Stories - Netflix

Wonder Stories is an early American science fiction magazine which was published under several titles from 1929 to 1955. It was founded by Hugo Gernsback in 1929 after he had lost control of his first science fiction magazine, Amazing Stories, when his media company Experimenter Publishing went bankrupt. Within a few months of the bankruptcy, Gernsback launched three new magazines: Air Wonder Stories, Science Wonder Stories, and Science Wonder Quarterly. Air Wonder Stories and Science Wonder Stories were merged in 1930 as Wonder Stories, and the quarterly was renamed Wonder Stories Quarterly. The magazines were not financially successful, and in 1936 Gernsback sold Wonder Stories to Ned Pines at Beacon Publications, where, retitled Thrilling Wonder Stories, it continued for nearly 20 years. The last issue was dated Winter 1955, and the title was then merged with Startling Stories, another of Pines' science fiction magazines. Startling itself lasted only to the end of 1955 before finally succumbing to the decline of the pulp magazine industry. The editors under Gernsback's ownership were David Lasser, who worked hard to improve the quality of the fiction, and, from mid-1933, Charles Hornig. Both Lasser and Hornig published some well-received fiction, such as Stanley Weinbaum's “A Martian Odyssey”, but Hornig's efforts in particular were overshadowed by the success of Astounding Stories, which had become the leading magazine in the new field of science fiction. Under its new title, Thrilling Wonder Stories was initially unable to improve its quality. For a period in the early 1940s it was aimed at younger readers, with a juvenile editorial tone and covers that depicted beautiful women in implausibly revealing spacesuits. Later editors began to improve the fiction, and by the end of the 1940s, in the opinion of science fiction historian Mike Ashley, the magazine briefly rivaled Astounding.

101 Amazing Thrills - Merwin and Mines - Netflix

Merwin, who took over with the Winter 1945 issue, adopted a more mature approach than Friend's. He obtained fiction from writers who had previously been publishing mainly in John Campbell's Astounding. The Summer 1945 issue of Thrilling Wonder included Jack Vance's first published story, “The World Thinker”. Merwin also published several stories by Ray Bradbury, some of which were later included in Bradbury's collection The Martian Chronicles. Other well-known writers that Merwin was able to attract included Theodore Sturgeon, A. E. van Vogt, and Robert A. Heinlein. Thrilling Wonder often published intelligent, thoughtful stories, some of which Campbell would have been unlikely to accept at Astounding: he did not like to publish stories that showed the negative consequences of scientific advances such as nuclear power. In the opinion of science fiction historian Mike Ashley, during the late 1940s Thrilling Wonder became a serious rival to Astounding's long domination of the field. However, this is not a universal opinion, as the magazine is elsewhere described during Merwin's tenure as “evidently secondary to Startling”. Samuel Mines took over from Merwin at the end of 1951, both at Startling Stories and Thrilling Wonder. He argued against restrictions in science fiction themes, and in 1952 published Philip José Farmer's “The Lovers”, a ground-breaking story about inter-species sex, in Startling. He followed this in 1953 with another taboo-breaking story from Farmer, “Mother”, in Thrilling Wonder, in which a spaceman makes his home in an alien womb. In the December 1952 Thrilling Wonder, Mines published Edmond Hamilton's “What's It Like Out There?”, a downbeat story about the realities of space exploration that had been considered too bleak for publication when it had originally been written in the 1930s. Sherwood Springer's “No Land of Nod”, in the same issue, dealt with incest between a father and his daughter in a world in which they are the only two survivors. These stories were all well received by the readership.

101 Amazing Thrills - References - Netflix