Two young fishermen explore lake towns around the country on a quest for the biggest bass they can find.
Status: In Development
Runtime: 11 minutes
Breaking Bass - Double bass - Netflix
The double bass, or simply the bass (and numerous other names), is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra. It is a transposing instrument and is typically notated one octave higher than tuned to avoid excessive ledger lines below the staff. The double bass is the only modern bowed string instrument that is tuned in fourths (like a viol), rather than fifths, with strings usually tuned to E1, A1, D2 and G2. The instrument's exact lineage is still a matter of some debate, with scholars divided on whether the bass is derived from the viol or the violin family. However the body shape especially where it curves into the neck matches the Viol family whereas in the rest of the violin family, the body meets the neck with no blending curve. The double bass is a standard member of the orchestra's string section, as well as the concert band, and is featured in concertos, solo and chamber music in Western classical music. The bass is used in a range of other genres, such as jazz, 1950s-style blues and rock and roll, rockabilly, psychobilly, traditional country music, bluegrass, tango and many types of folk music. The double bass is played with a bow (arco) or by plucking the strings (pizzicato). In orchestral repertoire and tango music, both arco and pizzicato are employed. In jazz, blues, and rockabilly, pizzicato is the norm. Classical music uses the natural sound produced acoustically by the instrument, as does traditional bluegrass. In jazz, blues, and related genres, the bass is frequently amplified.
Breaking Bass - Classical music - Netflix
In classical music, bassists audition for playing jobs in orchestras and for admission into university or Conservatory programs or degrees. At a classical bass audition, the performer typically plays a movement from a J.S. Bach suite for solo cello or a movement from a bass concerto and a variety of excerpts from the orchestral literature. The excerpts are typically the most technically challenging parts of bass parts and bass solos from the orchestral literature. Some of the most commonly requested orchestral excerpts at bass auditions are from Beethoven's Symphonies Nos. 5, 7 and 9; Strauss's Ein Heldenleben and Don Juan; Mozart's Symphonies Nos. 35, 39 and 40; Brahms' Symphonies Nos. 1 and 2; Stravinsky's Pulcinella; Shostakovich's Symphony No. 5; Ginastera's Variaciones Concertante; Tchaikovsky's Symphony No. 4; Mahler's Symphony No. 2; J. S. Bach's Suite No. 2 in B; Berlioz's Symphonie Fantastique, Mendelssohn's Symphony No. 4; and the bass solos from Verdi's opera Otello, Mahler's Symphony No. 1, Britten's The Young Person's Guide to the Orchestra and Prokofiev's Lieutenant Kije Suite.