"I thought I might be using a lifetime's happiness in a moment. I was that happy and she was that beautiful." A young boy stands on the red earth of Australia under its blue sky. It is 17-year-old Sakutaro Matsumoto. His time with the girl comes back to him. The colored sand runs through his hands and a tear appears on his cheek. He wakes up. It's 2004 and he is 34 years old and in Japan. He thinks "I have been in a world without her for 17 years." Returning home to see his old high school for the last time before it is demolished, Saku confronts anew the loss of the love of his life, Aki, to leukemia 17 years ago. Now a medical researcher at graduate school, he has been living as if half of him died with her since then. Based on the bestselling novel that sold over 3 million copies, the past and present come together in this love story that is both pure and sad.

Crying Out Love, in the Centre of the World - Netflix

Type: Scripted

Languages: Japanese

Status: Ended

Runtime: 60 minutes

Premier: 2004-07-02

Crying Out Love, in the Centre of the World - Wonderwall Music - Netflix

Wonderwall Music is the debut solo album by English musician George Harrison and the soundtrack to the 1968 film Wonderwall, directed by Joe Massot. Released in November 1968, it was the first solo album by a member of the Beatles, and the first album to be issued on the band's Apple record label. The songs are all instrumental pieces, except for occasional non-English vocals, and mostly comprise short musical vignettes. Following his Indian-styled compositions for the Beatles since 1966, he used the film score project to further promote Indian classical music by introducing rock audiences to instruments that were relatively little-known in the West – including shehnai, sarod, tar shehnai and santoor. The Indian pieces are contrasted by Western musical selections, in the psychedelic rock, experimental, country and ragtime styles. Harrison recorded the album between November 1967 and February 1968, with sessions taking place in London and the Indian city of Bombay. One of his collaborators on the project was classical pianist and orchestral arranger John Barham, while other contributors include Indian classical musicians Aashish Khan, Shivkumar Sharma, Shankar Ghosh and Mahapurush Misra. The Western music features contributions from Tony Ashton and the latter's band, the Remo Four, as well as guest appearances by Eric Clapton and Ringo Starr. Harrison recorded many other pieces that appeared in Wonderwall but not on the soundtrack album, and the Beatles' 1968 B-side “The Inner Light” also originated from his time in Bombay. Although the Wonderwall project marked the end of Harrison's direct involvement with Indian music as a musician and songwriter, it inspired his later collaborations with Ravi Shankar, including the 1974 Music Festival from India. The album cover consists of a painting by American artist Bob Gill in which, as in Massot's film, two contrasting worlds are separated by a wall, with only a small gap allowing visual access between them. Harrison omitted his name from the list of performing musicians, leading to an assumption that he had merely produced and arranged the music. The 2014 reissue of Wonderwall Music recognises his contributions on keyboards and guitar. The album was first remastered for CD release in 1992, for which former Apple executive Derek Taylor supplied a liner-note essay. While viewed as a curiosity by some rock music critics, Wonderwall Music is recognised for its inventiveness in fusing Western and Eastern sounds, and as being a precursor to the 1980s world music trend. The album's title inspired that of Oasis' 1995 hit song “Wonderwall”. Harrison's full soundtrack for the film was made available on DVD in early 2014, as part of the two-disc Wonderwall Collector's Edition. In September that year, the album was reissued in remastered form as part of Harrison's Apple Years 1968–75 box set, with the addition of three bonus tracks.

Crying Out Love, in the Centre of the World - Album artwork - Netflix

Along with Gill, John Kelly and Alan Aldridge were credited for designing the album's artwork. For the back cover of the LP, Harrison chose a photo of part of the Berlin Wall – a stock image from the Camera Press picture agency – which Kelly and Aldridge then manipulated and mirrored to represent a corner. Taylor describes the result as innovative for its time, with the wall made to look “proud and sharp as the prow of a liner”. The sleeve was designed so that the rear face appeared upside down relative to the front. In America, some copies of the LP had the Berlin Wall image mistakenly printed on the front, which made for “a less than exciting cover to be sure”, in Madinger and Easter's opinion. The LP's sleeve insert included a black-and-white photograph of Harrison taken by Astrid Kirchherr, a friend since the Beatles' first residency in Hamburg, Germany, in 1960. Clayson cites Kirchherr's involvement as an example of Harrison's efforts to ensure that friends from the Beatles' pre-fame years were included in the Apple enterprise.

Apple commissioned American artist Bob Gill to produce a painting for the front cover of Wonderwall Music. Gill recalls that he first attended a meeting at the company's headquarters, where the four Beatles emphasised the importance of the album for their new record label and outlined the concept behind the film. Gill painted a picture in the style of Belgian surrealist René Magritte, showing a formally dressed man “separated by a huge red brick wall from a group of happy bathing Indian maidens”, Spizer writes. Apple executive Derek Taylor, whom Harrison had invited to help run the Beatles' label in early 1968, later wrote of Gill's submission: “It was a nice painting but missed the essence of hope.” To Gill's chagrin, Harrison requested that a brick be removed from the wall, because he deemed it important to “give the fellow on the other side a chance, just as the Jack MacGowran character had a chance [in the film]”.

Crying Out Love, in the Centre of the World - References - Netflix