For Edith, life is pretty good. She's been a widow for some years now, but her children live locally and drop by regularly, and she enjoys daily visits from Phil, an old boyfriend who now lives across the road.
Phil dreams of marrying Edith, and the pair of them upping sticks and moving abroad to the sunshine. But after months of turning him down, on the happy day Edith finally says "yes", there's a knock on the door - and there on the step, with a large suitcase, is her 50 year old son Roger. He announces that he's left his wife, his kids and his good job at the bank, and come home in an attempt to find his lost happiness again. And in a blink, to Edith's dismay and Phil's fury, all dreams are on hold.
Status: In Development
Runtime: 30 minutes
Edith - Edith Head - Netflix
Edith Head (October 28, 1897 – October 24, 1981) was an American costume designer who won a record eight Academy Awards for Best Costume Design, starting with The Heiress (1949) and ending with The Sting (1973). Born and raised in California, Head managed to get a job as a costume sketch artist at Paramount Pictures, without any relevant training. She first acquired notability for Dorothy Lamour’s trademark sarong dress, and then became a household name after the Academy Awards created a new category of Costume Designer in 1948. Head was considered exceptional for her close working relationships with her subjects, with whom she consulted extensively, and these included virtually every top female star in Hollywood. After 43 years, she left Paramount for Universal, possibly because of her successful partnership with Alfred Hitchcock, and also adapted her skills for television.
Edith - Guest appearances - Netflix
Head made a brief appearance in Columbo: Requiem for a Falling Star (1973) acting as herself, the clothing designer for Anne Baxter's character. Her Oscars were displayed on a desk in the scene. Again as herself, she appeared in the film Lucy Gallant (1955) as the emcee of a fashion show. She also appeared in The Pleasure of His Company (1961) as she showed dresses for Debbie Reynolds' wedding in the film, and in The Oscar (1966) in three short, non-speaking scenes opposite Elke Sommer's character, a sketch artist turned costume designer like Head herself.
Edith - References - Netflix