Have you ever wondered what happens to your home once you move out? Will the new owners keep your beloved hand-painted mural on the nursery wall? What is the fate of the all-pink bathroom you so adored? How about the vintage 1950s kitchen you cherished for all of those years? When new homeowners move into your old home, they could love it all or rip it all out without much thought! What would you do if you could actually see what they did to undo the blood, sweat and tears invested in your home? Now Moving Up gives you the chance! Moving Up, a series hosted by noted and charismatic TLC personality Doug Wilson, returns for a second season. We follow a chain of new homeowners who move into one another's homes and begin the design and renovation process. They all have plenty to say about their new digs and the unappealing design demons the past owners left behind! They'll work tirelessly to make their new house their home with numerous design choices and big renovations to implement. After the renovations are complete, the old homeowners will get the rare chance to visit their once beloved homes and see all of the new changes. Will they happily approve of what they see or will they wish that they had never come back? Taste is tested in Moving Up, and host Doug Wilson is there to invoke fond memories, humorous observations and cantankerous commentary every step of the way!
Runtime: 60 minutes
Moving Up - Moving Pictures (Rush album) - Netflix
Moving Pictures is the eighth studio album by the Canadian rock band Rush, released on February 12, 1981 on Anthem Records. After touring to support their previous album, Permanent Waves (1980), the band started to write and record new material in August 1980 with co-producer Terry Brown. They continued to write songs with a more radio friendly format, featuring tighter song structures and songs of shorter length compared to their early albums. Moving Pictures received a positive reception from current and retrospective music critics and became an instant commercial success, reaching number one in Canada and number 3 in the United States and the United Kingdom. It remains Rush's highest selling album in the United States after it was certified quadruple-platinum by the Recording Industry Association of America (RIAA) for over 4 million copies sold. “Limelight”, “Tom Sawyer” and “Vital Signs” were released as singles across 1981, and the instrumental “YYZ” was nominated for a Grammy Award for Best Rock Instrumental Performance. Rush supported the album with a concert tour from September 1980 to July 1981.
Moving Up - Recording - Netflix
In June 1980, the band ended their ten-month tour of the United States, Canada and the United Kingdom in support of their seventh studio album, Permanent Waves (1980). During the tour's stop in New York City, the band agreed to start work on a new studio album, rather than prepare a second live album from several recordings they set up during the tour, partly due to the ideas they were developing at sound checks interested them enough to put them onto tape. Peart was instrumental in doing a new album, and Lee and Lifeson found themselves catching onto his enthusiasm. The trio pitched the idea to their manager and producer who had mapped out a two-year plan for them, but agreed to the sudden change and cancelled the schedule. After a short break, they regrouped at Phase One Studios in Toronto, Ontario, Canada in July 1980 with members of rock band Max Webster to record “Battlescar” for their album Universal Juveniles. During the sessions, their lyricist Pye Dubois suggested a song that he thought was suitable for Rush to record which was developed into “Tom Sawyer”. Rush then moved to Stony Lake, Ontario to write and prepare material for their new album. The sessions were productive, with “The Camera Eye” the first song to be worked on, followed by “Tom Sawyer”, “Red Barchetta”, “YYZ” and “Limelight”. Following the initial writing sessions, Rush returned to Phase One Studios with their co-producer Terry Brown and prepared demos of the songs. The band worked on them further during rehearsals of their 1980–1981 tour which began in September, and included “Tom Sawyer” and “Limelight” in their live set prior to recording. With the material fully prepared, Rush recorded Moving Pictures in October and November 1980 at Le Studio in Morin-Heights, Quebec. By the time they started the studio was fitted out with a digital 48-track machine, both of which were unfamiliar to the band at first and spent some time familiarising themselves with using the equipment. Moving Pictures is Brown's first digitally-produced album. The band made a conscious effort to preserve the quality of their recordings as much as possible by transferring finished sections onto a fresh piece of tape and placing the original copy in storage, thereby reducing the damage to it from frequent playback. During the sessions they experimented with a pressure zone microphone, a type of boundary microphone that picks up direct sound and no reverberated signals, that was taped onto Peart's chest as he played. The audio captured from it was used to pick up the ambience in the studio room in the final mix. Peart wore the microphone for the filming of the music video to “Vital Signs”. “Red Barchetta” was recorded in one take. There were problems with equipment failures and they finished the album three days behind schedule.
Moving Up - References - Netflix