The series continues the loose chronology of the Quatermass adventures, and begins with Professor Bernard Quatermass being forced out of his role at the British Experimental Rocket Group, with the organisation being passed into military control by the British Government. Quatermass and his new colleague Colonel Breen become involved in the discovery of a bizarre object at an archaeological dig in Knightsbridge, London. As the serial progresses, Quatermass and his associates find that the contents of the object have a horrific influence over many of those who come into contact with it. As this influence increases, affecting Quatermass himself, darker implications are revealed about the entire nature and origins of mankind.

Quatermass and the Pit - Netflix

Type: Scripted

Languages: English

Status: Ended

Runtime: 30 minutes

Premier: 1958-12-22

Quatermass and the Pit - The Quatermass Experiment - Netflix

The Quatermass Experiment is a British science-fiction serial broadcast by BBC Television during the summer of 1953 and re-staged by BBC Four in 2005. Set in the near future against the background of a British space programme, it tells the story of the first manned flight into space, supervised by Professor Bernard Quatermass of the British Experimental Rocket Group. When the spaceship that carried the first successful crew returns to Earth, two of the three astronauts are missing, and the third- Victor Carroon -is behaving strangely. It becomes apparent that an alien presence entered the ship during its flight, and Quatermass and his associates must prevent the alien from destroying the world. Originally comprising six half-hour episodes, it was the first science-fiction production to be written especially for an adult television audience in Britain. Previous written-for-television efforts such as Stranger from Space (1951–52) were aimed at children, whereas adult entries into the genre were adapted from literary sources, such as R.U.R. (1938 and again in 1948) and The Time Machine (1949). The serial was the first of four Quatermass productions to be screened on British television between 1953 and 1979, and was transmitted live from the BBC's original television studios at Alexandra Palace in London, one of the final productions before BBC television drama moved to west London. As well as spawning various remakes and sequels, The Quatermass Experiment inspired much of the television science fiction that succeeded it, particularly in the United Kingdom, where it influenced successful series such as Doctor Who and Sapphire and Steel. It also influenced successful Hollywood films such as 2001: A Space Odyssey and Alien.

Quatermass and the Pit - Cast and crew - Netflix

Following the success of The Quatermass Experiment, Nigel Kneale became one of the best-regarded screenwriters in the history of British television. In addition to the various Quatermass spin-offs and sequels, he wrote acclaimed productions such as Nineteen Eighty-Four (1954) and The Stone Tape (1972). A tribute article by writer and admirer Mark Gatiss, published on the BBC News Online website shortly after Kneale's death in 2006, praised his contribution to British television history. “He is amongst the greats—he is absolutely as important as Dennis Potter, as David Mercer, as Alan Bleasdale, as Alan Bennett.” Kneale's actions were represented on screen in the final episode of The Quatermass Experiment. He manipulated the monster seen in Westminster Abbey at the climax, with his hands stuck through a photographic blow-up of the interior of the Abbey. The monster actually consisted of gloves covered in various plant and other materials, prepared by Kneale and his girlfriend (and future wife) Judith Kerr. The couple kept the gloves as a memento, and still owned them fifty years later, when Kneale wore them again in a television documentary about his career. Rudolph Cartier had emigrated from Germany in the 1930s to escape its Nazi regime, and joined the staff of the BBC the year before The Quatermass Experiment was made. He collaborated with Kneale on several further productions, and became a major figure in the British television industry. He directed important productions such as Kneale's Nineteen Eighty-Four adaptation, the two further BBC Quatermass serials, and one-off plays such as Cross of Iron (1961) and Lee Oswald: Assassin (1966). His 1994 obituary in The Times praised his contribution to 1950s television drama: “At a time when studio productions were usually as static as the conventional theatre, he was widely respected for a creative contribution to British television drama which gave it a new dimension.” The same piece also named The Quatermass Experiment as a high point in his career, calling the serial “a landmark in British television drama as much for its visual imagination as for its ability to shock and disturb.” Quatermass was played by the experienced Reginald Tate, who had appeared in various films, including The Way Ahead (1944). He died two years later, while preparing to take the role of the Professor again in Quatermass II. Tate was the second choice for the part; Cartier had previously offered it to André Morell, who declined the role. (Morell did later play Quatermass in the third instalment of the series, Quatermass and the Pit.) Victor Carroon was played by Scottish actor Duncan Lamont, who later appeared in the film Mutiny on the Bounty (1962), and as a different character in the film adaptation of Quatermass and the Pit (1967). He enjoyed working on The Quatermass Experiment so much that, although he was not required for the final episode, he went to Alexandra Palace to lend moral support. While there, he helped Kneale and Kerr to prepare their 'monster' prop. Appearing in a small role as a drunk was Wilfrid Brambell, who later appeared as a tramp in Quatermass II. Brambell, who also appeared in Cartier and Kneale's production of Nineteen Eighty-Four, later became widely known for his roles in the sitcom Steptoe and Son (1962–74) and the film A Hard Day's Night (1964). The 74-year-old actress Katie Johnson played a supporting part; she later became well known and won a British Film Award for her role as the landlady Mrs. Louisa Wilberforce in the film The Ladykillers (1955).

Quatermass and the Pit - References - Netflix