Sharp Objects centers on reporter Camille Preaker (Adams) who, fresh from a brief stay at a psychiatric hospital, must return to her tiny hometown to cover the murders of two preteen girls. Trying to put together a psychological puzzle from her past, Camille finds herself identifying with the young victims a bit too closely.

Type: Scripted

Languages: English

Status: In Development

Runtime: None minutes

Premier: None

Sharp Objects - Amy Adams - Netflix

Amy Lou Adams (born August 20, 1974) is an American actress. Known for both her comedic and dramatic performances, Adams is, as of 2017, among the highest-paid actresses in the world. Her accolades include two Golden Globes and nominations for five Academy Awards and six British Academy Film Awards. Born in Vicenza, Italy, and raised in Castle Rock, Colorado, Adams is the fourth of seven siblings. She trained to be a ballerina, but at age 18 found musical theater a better fit, and from 1994 to 1998 she worked in dinner theater. She made her feature film debut with a supporting part in the 1999 satire Drop Dead Gorgeous. After moving to Los Angeles, she made guest appearances in television and took on “mean girl” parts in small-scale features. Her first major role came in Steven Spielberg's 2002 biopic Catch Me If You Can, opposite Leonardo DiCaprio, but she was unemployed for a year afterward. Her breakthrough came in the part of a loquacious pregnant woman in the 2005 independent film Junebug. The 2007 musical Enchanted, in which she played a cheerful Disney Princess, was Adams' first major success as a leading lady. She followed it by playing naive, optimistic women in a series of films, including the 2008 drama Doubt. She subsequently played stronger female parts to positive reviews in the sports film The Fighter (2010), and the psychological drama The Master (2012). In 2013 she began portraying Lois Lane in superhero films set in the DC Extended Universe. She won two consecutive Golden Globe Awards for Best Actress for playing a seductive con artist in the crime film American Hustle (2013) and the troubled painter Margaret Keane in the biopic Big Eyes (2014). In 2016, she received acclaim for her leading roles in the science fiction film Arrival and the thriller Nocturnal Animals. Adams' stage roles include the Public Theater's revival of Into the Woods in 2012, in which she played the Baker's Wife. In 2014, she was named one of the 100 most influential people in the world by Time and featured in the Forbes Celebrity 100 list. Adams is married to the actor Darren Le Gallo, with whom she has a daughter.

Sharp Objects - 2008–2012: Ingénue parts and expansion to dramatic roles - Netflix

The 2008 Sundance Film Festival saw the release of Sunshine Cleaning, a comedy-drama about two sisters (played by Adams and Emily Blunt) who start a crime scene clean-up business. Adams was attracted to the idea of playing someone who constantly tries to better herself. Mick LaSalle of San Francisco Chronicle considered Adams to be “magical”, adding that she “gives us a portrait of raging want beneath a veneer of surface diffidence”. In the 1939-set screwball comedy Miss Pettigrew Lives for a Day, Adams starred as an aspiring American actress in London who encounters a middle-aged governess named Miss Pettigrew (played by Frances McDormand). Stephen Holden of The New York Times drew similarities to her role in Enchanted and wrote that the “screen magic” she displays in such endearing roles “hasn't been this intense since the heyday of Jean Arthur”. Adams next starred in Doubt, an adaptation of John Patrick Shanley's play of the same name. The production tells the story of a Catholic school principal (played by Meryl Streep) who accuses a priest (played by Philip Seymour Hoffman) of pedophilia; Adams features as an innocent nun embroiled in the conflict. Shanley initially approached Natalie Portman for the part but offered Adams the role after finding her innocent, yet intelligent persona similar to that of Ingrid Bergman. Adams identified with her character's ability to find the best in people; she described her collaboration with Streep and Hoffman as a “master class” in acting. Writing for the Houston Chronicle, Amy Biancolli commented that Adams “sparks with distressed compassion”, and Ann Hornaday opined that she “exudes just the right wide-eyed innocence”. Adams was nominated for an Academy Award, Golden Globe Award, and BAFTA Award for Best Supporting Actress. As with Junebug and Enchanted, Adams' roles in her three 2008 releases were those of the ingénue—innocent women with a cheerful personality. When asked about her being typecast in such roles, Adams said that she responds to characters who are joyful and identified with their sense of hope. She believed that despite certain similarities in their disposition, these characters were vastly different from one another; she said, “Naïveté is not stupidity, and innocent people are often very complex.” The 2009 fantasy adventure film Night at the Museum: Battle of the Smithsonian, starring Ben Stiller, featured Adams as the aviator Amelia Earhart. It was the first motion picture to film inside the National Air and Space Museum in Washington. The director Shawn Levy said that the role allowed Adams to showcase her acting range; Adams believed it to be the first time she was allowed to play a confident character on screen. Despite mixed reviews, Adams' work was praised. Terming her “a sparkling screen presence”, Michael Phillips of the Chicago Tribune thought that the film “radically improves whenever Amy Adams pops up”. That same year, Adams starred in the comedy-drama Julie & Julia as disgruntled government secretary Julie Powell who decides to blog about the recipes in Julia Child's cookbook Mastering the Art of French Cooking; in a parallel storyline, Meryl Streep portrays Child. Adams enrolled at the Institute of Culinary Education to prepare for the part. Carrie RicKey of The Philadelphia Inquirer thought that the film was “as delicious as French cuisine” and found Adams to be “at her most winsome”. Both Night at the Museum and Julie & Julia were commercial successes, with the former earning over $400 million. Adams began the new decade with a leading role opposite Matthew Goode in the romantic comedy Leap Year (2010), which the critic Richard Roeper believed was saved from “truly awful status” by Adams' presence. Her next release of the year—the boxing drama The Fighter—was much better received. Directed by David O. Russell, the film tells the story of boxer half-brothers Micky Ward and Dicky Eklund (played by Mark Wahlberg and Christian Bale, respectively); Melissa Leo played their mother and Adams portrayed Ward's aggressive girlfriend, a barmaid named Charlene Fleming. Describing Adams' part as a “tough, sexy bitch”, Russell cast her against type to rid her of her girl-next-door image. The role marked a significant departure for her, and she was challenged by Russell's insistence on finding her character's strength in silence. She enrolled in an exotic dance class by the trainer Sheila Kelley to find her character's eroticism. Joe Morgenstern of The Wall Street Journal wrote that she is “as tough, tender, smart, and funny as she was ethereal and delightful in Enchanted. What an actress, and what range!” She received Academy, Golden Globe, and BAFTA nominations for Best Supporting Actress; she lost the former two to Leo. She expressed a desire to play more dramatic roles in the future.

The Disney musical The Muppets (2011) starring the eponymous puppets featured Adams and Jason Segel in live-action roles. Entertainment Weekly's Lisa Schwarzbaum remarked that the role marked her return to her “comedian-sweetheart” persona. She also recorded seven songs for the film's soundtrack. The following year, Adams played the Baker's Wife in the Public Theater's revival of Stephen Sondheim's musical Into the Woods, as part of the Shakespeare in the Park festival at the open-air Delacorte Theater. It marked her stage debut in New York and was her first theater appearance in 13 years. She agreed to the month-long production to “take on a challenge that seemed insurmountable”, though she was overwhelmed and intimidated by it. She prepared with a private singing coach, but her film schedule enabled her to spend only four weeks in rehearsal. Ben Brantley, The New York Times' theater critic, praised Adams' “lucidly spoken and sung performance” but criticized her for lacking “the nervy, dissatisfied restlessness” of her part. Adams took another “fierce woman” part in Paul Thomas Anderson's psychological drama The Master (2012). She played Peggy Dodd, the ruthless and manipulative wife of the leader of a cult (played by Philip Seymour Hoffman). It marked her third and final collaboration with Hoffman, whom she deeply admired, before his death two years later. The organization depicted in the film was deemed by journalists to be based on Scientology; Adams considered the comparison to be misleading but was glad for the attention it brought to the film. Although not a method actor, Adams believed that the intense role had left her on edge in her personal life. Comparing her character to Lady Macbeth, the critic Justin Chang wrote that Adams' “pertness has rarely seemed so malevolent”, and Donald Clarke of The Irish Times commended her for playing the part with “discrete menace”. John Patterson of The Guardian noted that a scene in which she chastises Hoffman's character while furiously masturbating him was one of the most significant sequences in the film. Once again, Adams received Academy, Golden Globe, and BAFTA nominations for her supporting part. Clint Eastwood's sports drama Trouble with the Curve, in which she played the estranged daughter of a baseball scout (Eastwood), was Adams' second film release of 2012. She admired Eastwood's “warm and generous” personality and was pleased with the collaboration. She prepared for the part by learning to catch, pitch, and swing from a baseball coach. The film received mixed reviews, and Roger Ebert took note of how Adams had made a standard role seem valuable. She also played the brief part of a drug addict in On the Road, an ensemble drama based on Jack Kerouac's novel of the same name.

Sharp Objects - References - Netflix