A tale of supernatural terror, concerning the discovery of a secret brotherhood of international financiers and politicians meeting clandestinely on Rhodes. The head of the brotherhood, Raoul Lavalliere, had his own secret concerning his ancestor Tibald de Montrefort, a particularly unpleasant individual from the middle ages when the Knights Templar settled on Rhodes.
Runtime: 240 minutes
The Dark Side of the Sun - Space: Above and Beyond - Netflix
Space: Above and Beyond is an American science fiction television show on the FOX Network, created and written by Glen Morgan and James Wong. Originally planned for five seasons, it ran only for the single 1995–1996 season, due to low ratings. It was nominated for two Emmy Awards and one Saturn Award. It was ranked “50” in IGN's top 50 Sci-Fi TV Shows, described as “yet another sci-fi show that went before its time”. Set in the years 2063–2064, the show focuses on the “Wildcards”, members of the United States Marine Corps Space Aviator Cavalry, 58th Squadron. They are stationed on the space carrier USS Saratoga, and act as infantry and pilots of SA-43 Endo/Exo-Atmospheric Attack Jet (“Hammerhead”) fighters.
The Dark Side of the Sun - In Vitroes - Netflix
As artificially gestated humans, the In Vitroes do not share social equality with the so-called “naturally born”. Literally removed (“born”) from their individual gestation tanks at physical age of eighteen, they are educated swiftly and harshly to enable them to enter society with at least a nominal idea of how to comport themselves. They are derisively termed “tanks” by regular humans, which seems to be a double entendre, describing not only their method of birth but also their physical toughness, which is always greater than “naturals”, and the disposable nature of them, the first to come in battle, the “tanks” that open the way for the infantry. Unfortunately, due to their limited amount of emotional development, their deployment in the AI War as troops was not as successful as the pioneers of the In Vitro program nor the military would have liked, as the In Vitro battalions had no emotional connection beyond the most basic to their country, planet or even race; this led to their racial reputation as “lazy” and “not caring for anything or anyone” (episode 1.01/1.02), which contributed to the prejudice against them from “naturals”. In Vitroes also seem to refer to themselves as “tanks” amongst themselves. Before its abolition, they were subject to indentured servitude (episode 1.05), and there is still considerable racial segregation and resentment by normal humans (e.g. episodes 1.01, 1.06), and governmental abuse for morally dubious purposes (episode 1.13). Two main characters, Cooper Hawkes and T. C. McQueen, have to face all the ramifications of such a society from their perspective as In Vitroes. This repeating theme explores topics such as racism and prejudice in a society, and also freedom. It differs from other story arcs in its complexity in the form of a division into two substories. One is presented as historical narration by the characters (e.g. episodes 1.05, 1.18) or flashbacks (episode 1.13); the second occurs in the present, with the experiences of Cooper Hawkes and T. C. McQueen, including a subtle substory of the shifting relationship between Nathan West and a maturing Hawkes (e.g. episodes 1.07, 1.11).
The Dark Side of the Sun - References - Netflix